By Peter Vernezze, Carl Porter
Bob Dylan and Philosophy: It's o.k. Ma (I'm purely Thinking)
The legions of Bob Dylan lovers recognize that Dylan is not only an exceptional composer, author, and performer, yet an exceptional philosopher in addition. In Bob Dylan and Philosophy, eighteen philosophers examine Dylan's moral positions, political commitments, perspectives on gender and sexuality, and his complex and debatable attitudes towards faith. All stages of Dylan's output are lined, from his early acoustic folks ballads and anthem-like protest songs to his arguable change to electrical guitar to his occasionally difficult, usually profound tune of the Seventies and past. The e-book examines diversified facets of Dylan's artistic proposal via a philosophical lens, together with own id, detrimental and confident freedom, enlightenment and postmodernism in his social feedback, and the morality of bootlegging. an enticing creation to deep philosophical truths, the publication presents Dylan lovers with a chance to benefit approximately philosophy whereas impressing fanatics of philosophy with the deeper implications of his highbrow achievements.
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Additional info for Bob Dylan and Philosophy: It's Alright Ma (I'm Only Thinking) (Popular Culture and Philosophy)
He allows us to have whatever we want so long as we give credence to an obsolescent ideology. "10 The muting of ideological alternatives, of political discourse and history, during the Reagan period resulted in part from the lack of an institutionalized HOLLYWOOD, POLITICS & MEDIA STUDY 17 political opposition. Faced with a resurgent political Right, liberals and Democrats acquiesced in the resurrection of a new Cold War at the beginning of the decade, with its unfortunate tendency to view international conflicts as the result of Soviet expansionism.
Moreover, as advertisers and their wares invade films, issues of creative control arise. Mark Crispin Miller, who has examined these problems, notes that the much-vaunted realism accruing from product placement is actually an antirealism which works to the detriment of the film: "Usually, however, 'product placement' does not seem 'natural' at all but is, in fact, deliberately antirealistic: its sole purpose is to enhance the product by meticulously placing it within the sort of idealized display that occurs nowhere in real life but everywhere in advertising .
You are not going to get me to work here and squeeze pennies out of little people who are poorer than we a r e . " 4 9 Even friendly witnesses often had a hard time finding evidence to support their charges of Communist propaganda. ). 50 The industry as a whole was reluctant to smear particular films (better to sacrifice a few directors or screenwriters), but the very notion that Hollywood films were espousing an explicit philosophy was patently contrary to official industry practice. As Richard Maltby has noted, "conventional Hollywood wisdom regarded films about politics as box-office poison, since anything controversial was liable to move the cinema out of its safe and profitable territory as entertainment into more dangerous HOLLYWOOD, POLITICS & MEDIA STUDY 27 areas.