Download Carrying the Torch: Maud Howe Elliott and the American by Nancy Whipple Grinnell PDF
By Nancy Whipple Grinnell
Maud Howe Elliott (1854–1948), the daughter of Julia Ward Howe, was once a Pulitzer Prize–winning author and a tireless supporter of the humanities, relatively in her followed urban of Newport, Rhode Island. An paintings historian and the writer of over twenty works of fiction and nonfiction, together with numerous articles and brief tales, Elliott could be top recognized for co-writing a biography of her mother—a significant determine within the political and cultural global of recent England, a woman’s suffrage chief, and a number one revolutionary political voice. Elliott sought to reinforce neighborhood and nearby lifestyles through founding the artwork organization of Newport in 1912 (now the Newport artwork Museum), which she observed because the end result of her life’s work.
Nancy Whipple Grinnell has written an informative and encouraging biography that might attract a extensive neighborhood readership, eventually securing Elliott’s position within the pantheon of yankee cultural benefactors.
Read Online or Download Carrying the Torch: Maud Howe Elliott and the American Renaissance PDF
Best arts & literature books
Reyner Banham: historian of the immediate future
Winner within the 2002 AAUP ebook, Jacket, and magazine pageant for excellence in layout within the class of Scholarly Illustrated. Reyner Banham (1922-88) used to be probably the most influential writers on structure, layout, and pop culture from the mid-1950s to the past due Nineteen Eighties. proficient in mechanical engineering and paintings background, he was once confident that know-how was once making society not just extra fascinating yet extra democratic.
Waging Heavy Peace: A Hippie Dream
I imagine i'm going to need to use my time correctly and retain my concepts immediately if i'm to be triumphant and convey the shipment I so conscientiously have carried up to now to the outer reaches. ” --Neil younger, from Waging Heavy Peace mythical singer and songwriter Neil Young’s storied occupation has spanned over 40 years and yielded a few of the sleek era’s such a lot enduring tune.
A Rose for Mrs. Miniver: The Life of Greer Garson
" during this first-ever biography of Greer Garson, Michael Troyan sweeps away the numerous myths that even this present day veil her existence. the genuine origins of her start, her fairy-tale discovery in Hollywood, and her occupation struggles at Metro-Goldwyn-Mayer are printed for the 1st time. Garson mixed an everywoman caliber with grace, allure, and refinement.
Dirty rocker boys : love and lust on the Sunset Strip
"An uncensored Hollywood tell-all packed with specific stories of affection, intercourse, and revenge from the video vixen made recognized by way of Warrant's rock anthem "Cherry Pie. ""-- summary: "An uncensored Hollywood tell-all full of particular stories of affection, intercourse, and revenge from the video vixen made well-known through Warrant's rock anthem "Cherry Pie.
- Turner
- Cash: The Autobiography
- The New Bach Reader: A Life of Johann Sebastian Bach in Letters and Documents
- Carlos Acosta: The Reluctant Dancer
Extra resources for Carrying the Torch: Maud Howe Elliott and the American Renaissance
Sample text
In fact, Maud was once mistaken for Lily Langtry in New York. This cult of beauty prevailed in the art world as well, where the PreRaphaelites were challenging the ruling order of the Royal Academy. ” James McNeill Whistler was one of the stars of the opening, the others being Sir Edward Burne-Jones and Sir George Watts. Whistler, who Maud was to recall as “a vain fop, dressed to kill,” exhibited his tonalist “arrangements” and “nocturnes,” while Burne-Jones transcended the earlier Pre-Raphaelite concerns with detailed, glowing surfaces to create more moody, romantic paintings.
She visited the foundry where the bronze sculptures of her late brother-in-law, Crawford, were cast, as well as the work of American sculptors Emma Stebbins, Harriet Hosmer, Randolph Rogers, and Joseph Mozier. ” Even her friend, the illustrious sculptor and leader of the American art colony in Rome, William Wetmore Story, did not escape her discerning eye; after visiting his studio Howe found him “greatly improved, but not yet a great original artist. ”7 Howe was most appreciative of the painting of her friend William Morris Hunt of Boston and Newport, who at the time of her visit was in Europe.
Family friend and sculptor William Wetmore Story, also the art commissioner for the United States, was highly critical of the American government’s performance at this event. In Maud’s later Chapter Three 35 lectures on American art she sympathized with Story’s concerns, stating that the sum allotted to the department of fine arts was “ridiculously inadequate,” that sculpture was prohibited, that the total number of artworks in oil and watercolor was 143 and lacked examples of Gilbert Stuart, Washington Allston, and William Morris Hunt, among others.