By Susan Youens
Viennese composer Hugo Wolf produced the most vital track collections of the 19th century whilst he set to song fifty-three poems by means of the nice German poet Eduard M?rike. Susan Youens reappraises this singular collaboration, studying chosen M?rike songs intimately to shed new gentle at the refined interaction among poetry and track. even if Wolf is named "the Poet's Composer," an individual who respected poetry and served it faithfully in his tune, Youens unearths how his M?rike songs have been additionally prompted via his personal existence, psychology and studies.
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Additional info for Hugo Wolf and his Mörike Songs
The backdrop to the songs is, like Everest, there and looms large, but has previously been parceled out to literary critics, without application to the music which issued from it. Mörike’s life and art were irrevocably altered by an event early in his life: his love aﬀair in 1823–24 with a woman named Maria Meyer, an encounter which ranks in literary history with the youthful Goethe’s stay in Strasbourg in 1770–71 or Hölderlin’s arrival at the Gontard household in 1795. Until Easter of 1823 (an ironic time for a reluctant pastor-in-the-making to discover the woman who would be the cause of a death-andresurrection of sorts), he had been little more than a teenage Gelegenheitsdichter with a lively gift for fantasy, but in the wake of suﬀering we know in part from the rigor with which he banned all mention of it thereafter, he became something extraordinary.
Jetzt geht’s über Land und Leute Durch Europens edle Weite! Hofgemäße Löwen schranzen, Aﬀen, Hund und Bären tanzen – Neue leidge Zauberﬂöten – Hurenpack, zuletzt Propheten! On the Krüdener Woman Young whores, old nuns have already gained much if, well-advised by their priests, they work wonders in the cloister. Now they go over lands and nations through noble Europe’s expanses! Royal courtly lions cringe, Apes, dogs, and bears dance: Modern miserable Magic Flutes – A pack of whores, now prophets!
31 For Luise, this was war: in her diary for December 1823, she speaks of the battle waged since “that unfortunate Easter holiday,” and she feared losing the battle. ”32 She need not have feared, as Maria herself would soon put the necessary weapons for conquest in Luise’s hands. Amidst the concatenation of unknowns is the exact time of Maria’s ﬂight from Ludwigsburg, perhaps in late 1823. She went to Heidelberg, where she was again found senseless by the side of the road and was arrested as a vagrant.