By John Beckwith
Composer John Weinzweig could have became a hundred on March eleven, 2013. A yr of celebrations starts Friday, March eight at Walter corridor, U of T (7:30pm) curated by way of Soundstreams creative Director Lawrence Cherney. See the click unencumber for complete info and schedules. Press unencumber for complete information and schedules.
In seek of Alberto Guerrero is the 1st complete biography of the influential Chilean-Canadian pianist and instructor (1886-1959), describing Guerrero’s lengthy occupation as virtuoso recitalist, chamber tune collaborator, concerto soloist, and instructor. Written by way of composer John Beckwith, who used to be a scholar of Guerrero, the booklet blends learn and memoir to piece jointly the lifetime of a guy who as soon as insisted he had no tale.
Guerrero used to be a part of the highbrow scene that brought Chileans to Debussy, Ravel, Cyril Scott, Scriabin, and Schoenberg. He and his brother performed an lively function in founding the Sociedad Bach in Santiago. In 1918 Guerrero moved to Toronto, making the Hambourg Conservatory, and later the Toronto (now Royal) Conservatory, his new base. He quickly grew to become one in all Canada’s so much lively pianists. In what used to be then a singular task, he performed average radio recitals from the mid-1920s to the early Nineteen Fifties. He was once additionally deeply engaged with concerns in piano pedagogy, and labored with younger skills together with Canada’s much-acclaimed Glenn Gould. yet in contrast to the shadowy position Guerrero is assigned in Gould biographies, the following he's given right credits for his technical and aesthetic effect at the younger Gould and on different striking musicians and composers.
Guerrero left few written files, and documentation of his paintings by means of others is incomplete and infrequently misguided. Aiming for a fuller and extra exact account of this remarkably influential and well-loved guy, Beckwith’s In seek of Alberto Guerrero offers an insider’s tale of the Canadian classical track scene in mid-twentieth-century Toronto, and can pay homage to the influential musician William Aide has referred to as an “unsung progenitor.”
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Additional info for In Search of Alberto Guerrero
Penha. We will probably hear more from this young Mr. 13 The smartness of this review—its superior frown at technical discrepancies, its reference to the then-current ne plus ultra of modernity, Leo Ornstein, and its assured mind reading of the audience—strikes an altogether different tone from the adulatory critiques that had met Guerrero and Penha on their tour. If they had expected to conquer New York, New York was being tough about it. It is unclear, though this event was called his “début,” whether either it or the previous one in October included any piano solos by Guerrero; the two compositions mentioned are duos.
It is not hard to discern in Hamlet [Thomas’s] desire to please everyone and shock no one, which in the end removes all unity from the work and leaves only a heterogeneous mix where fine ideas and sincere expressions, intended for a cultivated audience, parade alongside countless concessions to the gross public. After the first-act duet of Hamlet and Ophelia, for example, with its phrases of lovely delicacy such as that marking 25 IN SEARCH OF ALBERTO GUERRERO Ophelia’s entrance, comes a chorus of court officials of the most vulgar effect.
75 27 two A Wedding, a Tour Guerrero’s most active season as a performer, 1915, was also the time of his marriage. 1 The family was well recognized from the brothers’ careers in the forces, and also for its cultivation of literature and the arts. In the late months of 1915, Guerrero and his cellist colleague Michael Penha undertook a successful tour, playing joint concerts in the main cities of Peru, Bolivia, Panama, Costa Rica, and Cuba, before settling in New York—and Lily was a member of the touring party; indeed, the tour was referred to in family circles later as the couple’s honeymoon.