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Additional info for James McNeill Whistler
Whistler paid a great deal of attention to these London pleasure gardens. He found a very special music in his night-time perambulations. ” This concept is perfectly illustrated in the series of paintings devoted to Cremorne. ” He littered his prose with metaphors of color as he created his pastels with little dabs of color. Whistler attacked the general opinion of his day which took it for granted that the greatest accomplishment of art is to tell a story. He was particularly annoyed with art critics who in his view were responsible for the false notions which the public had of painting.
Mr. Jeckyll, the artist who had started the decoration of the room before Leyland had asked Whistler to take over became mad with rage when he saw what Whistler had done to his work. He went home and painted his wooden floor gold. Shortly thereafter, he was incarcerated in a mental hospital. This did not stop Whistler from holding receptions at the house in Princes Gate in order to brighten his long and arduous labors. One day, Leyland discovered that Whistler had painted over all the leather hangings in the room.
For example, a spectator could read that Guillache was a type of firework representing a watch mechanism which ended in the form of a sunburst. The program helped the spectator to make the symbolic leap from the watch to the sunburst. Whistler ought perhaps to have supplied an explanatory text to his painting The Falling Rocket, in order to define to his contemporaries the goals he was pursuing. But it might reasonably be supposed that they would not have reacted any better, the ideas of the painter being so far ahead of his time.