By Raymond E. White
For greater than sixty years, Roy Rogers and Dale Evans personified the romantic, mythic West that the US adored good into the fashionable age. Blazing a path via each department of the leisure industry—radio, movie, recordings, tv, or even comedian books—the couple capitalized on their beautiful personas and appealed to the nation's trust in kinfolk values, an self sufficient spirit, community.
King of the Cowboys, Queen of the West offers those celebrities within the such a lot accomplished and inclusive account thus far. half narrative, half reference, this impeccably researched, hugely available survey spans the whole scope of Rogers's and Evans's careers, illuminating and celebrating their position in twentieth-century American pop culture. Following the pair via each one level in their specialist and private trajectories, writer Raymond E. White explores the original alchemy of the making a song cowboy and his free-spirited but female accomplice. In a twin biography, he exhibits how Rogers and Evans conscientiously husbanded their public photo and—of specific note—incorporated their Christian religion into their performances. And in a chain of exhaustive appendixes, he records their contributions to every medium they labored in. attesting to either the breadth and the durability in their careers, the publication comprises radio logs, discographies, filmographies, and comicographies that would satisfaction historians and creditors alike. With its attractive tone and meticulous study, King of the Cowboys, Queen of the West is certain to develop into the definitive resource at the lives of those nice American icons.
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Extra info for King of the Cowboys, Queen of the West: Roy Rogers and Dale Evans
I H While working for WBBM, Dale engaged in other professional activities. She sang in a quartet with Norman Luboff, Ray Charles, and an unidentified singer; in 1939 she auditioned with the Sons of the Pioneers for a commercial, and about the same time made a Dairy Rich commercial. In 1941 she began to get letters from Hollywood talent agents asking for her resume and photographs. She resisted at first, but eventually decided to explore show business opportunities on the West Coast. 19 Initially, Dale gained a contract with Twentieth Century-Fox pictures and had bit parts in three movies before she returned to radio.
The duration of this show is unknown, but it set the stage for Rogers's next regular radio series, The Roy Rogers Show, broadcast on the Mutual nerwork beginning in 1944. 8 Using her real name, Frances Fox, Dale Evans began in radio when she was only sixteen, in 1929, more than a year before Roy Rogers first performed on the air. Initially she sang popular songs on a thirty-minute request show, on a small station in Memphis. In October 1929, she moved to Memphis's NBC outlet, WMC, owned by the Commercial Appeal newspaper.
Frank Worth and his orchestra provided the background music for the Mutual shows with the scoring and instrumentation adding much to the dramatic action. )? Milton Charles succeeded Worth as musical director in 1951 when the series switched to NBC, but Worth returned to the program in 1954. Later on Worth was musical director for the Roy Rogers television show. The theme song for the Rogers radio shows from 1944 to 1951 was" Smiles Are Made out of Sunshine," a delightful tune that in some ways resembles "Happy Trails," the popular theme song that Evans composed and first used on the radio show in the fall of 1951.