By Simon Reynolds
One among The Telegraph’s most sensible track Books 2011 We reside in a pop age long gone loco for unfashionable and loopy for commemoration. Band re-formations and reunion excursions, elevated reissues of vintage albums and outtake-crammed field units, remakes and sequels, tribute albums and mash-ups . . . yet what occurs once we run out of previous? Are we heading towards a kind of culturalecological disaster the place the archival flow of father historical past has been exhausted?
Simon Reynolds, one of many best tune writers of his iteration, argues that we have got certainly reached a tipping element, and that even though previous eras had their very own obsessions with antiquity—the Renaissance with its admiration for Roman and Greek classicism, the Gothic movement’s invocations of medievalism—never has there been a society so keen about the cultural artifacts of its personal speedy previous. Retromania is the 1st publication to envision the unfashionable and ask the query: is that this retromania a loss of life knell for any originality and area of expertise of our personal?
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Extra resources for Retromania: Pop Culture's Addiction to Its Own Past
Anything was better than staying in miserable, grey Britain. There were two main nightclubs on the island at that time. Pasha opened in 1973, playing reggae and rock to the hippies. Amnesia was just a run-down farm with no electricity. Hippies and Bhagwan Rajneesh disciples would get together and dance around bonfires, while others played music or just sat around and smoked dope. By the time the hippie movement was over, Ibiza's clubs had gone through the most amazing metamorphosis. These weren't discos as anyone else knew them - they had outdoor dance floors under the moon and stars, huge fountains, palm trees and flamboyant decor that was constantly changing.
These three black men, through their music, escaped from Detroit into a different state, much as many had done before. As Paul Gilroy, the black cultural theorist puts it in his seminal book Ain't No Black in the Union Jack, "The dream of life beyond the reach of racism acquired an other-worldly, Utopian quality and then manifested itself in a flash, high-tech form deliberately remote from the realities of the ghetto lifeworld. If the repressive and destructive forces unleashed by a 'maggot-brained' and infanticidal America were rapidly acquiring a global character, the answer to them was presented as flight...
In fact, it can be traced all the way back to the twelfth century Sufi poet Jalal'uddin Rumi, who would enter ecstatic trances while singing praises to Allah and whirling round and round. Of course, this dancing wasn't drug-induced, but inspired by the ecstasies of worship, and by dancing and rejoicing in the praise and love of Allah. Rumi's followers practise the tradition to this day in the Turkish town of Konya, where they have become world famous as the "whirling dervishes". The culture of Candomble in South America also involves adepts falling into a trance and swaying frenetically to the rhythm of the drums as if under a spell.